I am a dance historian working primarily through research, curatorial theory projects and teaching. The principles guiding my work are constant learning and unlearning, pluralising partial perspectives, interrogating the impacts of format on thought and ideas, negotiating strategic choices within ethical positionings, and exploring the ethical, political, affective, sensorial, epistemic impacts of aesthetics.
I am currently employed as theory curator at Tanzquartier Wien and post-doctoral researcher at the Academy of Fine Arts Vienna.